I am a plagiarist from way back.
When I was in grade one, my teacher (Mrs. W.) gave our class a writing project – an exciting culmination to the whole “learning to read” thing. She showed us how to fold a few regular papers in half and staple them at the folded edge to create a booklet, upon which we could immortalize our words and illustrations.
Unfortunately, I don’t have it anymore. So much for immortality.
But it is my first remembered effort at publication. And I do recall – rather clearly – both the text and my drawings, probably because of the traumatic circumstances that surrounded my budding authorship. Namely, when my minimus opus had made the round-trip journey from my desk to the teacher’s and back again, I discovered that it had been marred with the frightening letter “C”. It was my first rejection letter as a writer.
Why, you ask, did my teacher NOT LIKE my story? (Imagine me as a miniature person, with short crooked bangs and spindly arms, feigning a thrust of a dagger to the heart. Actually, see the picture above, taken sometime before Mrs. W. crushed me.)
What had I written, you ask? Let’s see, it went something like this: We all live in a yellow submarine… Yeah, that was the start of it anyways, with accompanying pictures of stick people looking out of the portholes of a yellow spaceship-y thing. It went on like this for a riveting eight to ten pages.
Okaaaaay, so technically I stole the idea from the Beatles. At least I can’t be blamed for my taste, even though I did gravitate at that age to the Ringo songs. Maybe I wasn’t reaching as high as I could have. It doesn’t really matter because I was just borrowing a tried-and-true line so that I could learn how to write a story. Also, I must have missed that day in grade one that we learned about copyright law.
Needless to say, this memory bothered me for a long time – not (necessarily) because of the “C” but because I felt I had done something really wrong. That is, until I discovered Austin Kleon, one of my favorite creative people. No one vindicates the fledgling (and also the mature) artist better than he does. I’ve written about him before. Steal Like An Artist is now ten years old and his blog is way older. Both are an homage to how artists learn by stealing.
This is, after all, where all artists begin – by copying. Picasso didn’t always paint those crazy limp-necked, weird-eyed bird people: he only did that stuff after he drew a whole bunch of (recognizable) bowls of fruit. And even the Beatles – who I first riffed off – started out as a cover band. It’s only after you imitate the giants who came before you enough times are you able to jump off their shoulders and start doing your own thing. And sometimes, just writing down someone else’s lyrics so you can memorize them or filling out a paint-by-number is good enough to satisfy the creative urge within us. That doesn’t make it any less of a creative endeavor and it always delivers that positive, constructive feeling of putting your own hand to something.
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