About Nostalgia

Photo by Damla Özkan on Unsplash

I tend to write a lot about memory and things from the past – specifically my memory and my past. It’s not that I don’t like living in the present, but I am a ruminator of days gone by when it comes to putting things down on paper (or computer). Maybe it has to do with my reticence to form an early opinion – you won’t find me Tweet-ing or Status-ing a heck of a lot. I read the backlist of books more often than new releases. I like to cull pictures and memorabilia five or ten years later – when I have some sense of what’s really important to me.

What’s important to me is subjective, but as a memory keeper for my family I do sometimes hold onto things that I think maybe my boys will one day agree is important: their favorite t-shirts from teenager-hood, picture books from toddlerhood and even some baby teeth and the locks of first haircuts. Rick and I also have things saved from our teenage and toddler years and then, beyond that, I have things that I saved of my mother’s – greeting cards from us kids, her wedding invitation collection and a stack of Edmonton Journal comics pages that I cannot recycle. Not yet. Maybe not ever.

A couple weeks ago Rick and I wandered into the Old Strathcona Antique Mall, a place burgeoning with nostalgia, complete with price tags. We have a few things we might want to sell so we were looking for similar things – and we quickly learned we weren’t going to get rich. But it was fascinating to see what was deemed saveable and saleable: a used paper cup with a John Deere emblem, a framed and signed photo of Wayne Gretzky on ice only wearing skates and gym shorts circa 1980-something, hundreds of mugs and badges and signs emblazoned with old logos and all the Nancy Drew and Hardy Boys books ten times over.

As we wandered the aisles, we did a lot of “I remember that!” and “My auntie had one of those!” and also plenty of “I can’t believe that someone would want that/pay for that/saved that!” But then, everyone’s memory is subjective – and important. I recently read Susan Orlean’s The Library Book, which chronicles the history of the Los Angeles Central Library told with the through-line of the devastating fire that nearly wiped it out in the 1986. I found it so interesting that the library wasn’t just the storehouse of books, magazines and DVDs. Of course, I’m aware that most libraries have collections or archives of some sort. But a large library like the one in Los Angeles also is the repository of old maps, single subject book collections (like about rubber or oranges) donated posthumously by a passionate collector’s family, and any and all paraphernalia deposited there by defunct social action groups. It’s like they think everything is important.

And it is. Maybe not to you or me, but to someone else it could the connection to a history they thought was lost. Or never knew about at all. It reminds me of an episode of Marie Kondo’s show Tidying Up, where a retired couple had never cleaned out the house they inherited from the husband’s parents, just moved in themselves. Once they started sifting and purging their closets, old photos surfaced and antiques they never knew about – and never would have if someone hadn’t saved it in the first place.

I’m not saying we should save everything – gosh, people are paying too much for storage lockers as it is. But curating a collection of things important to you – in a bureau or a box or a book – is actually good way to secure your place in the future, a way to remember and be remembered.

About the Lottery

What would you do if you won the lottery?

In any random list of writing prompts, this is a question that often pops up. After all, everyone thinks about it when you hear what the Lotto 649 Jackpot is this week: What would it be like to win a million or ten million or fifty million dollars? What would it be like to really be rolling in the dough?

There are, of course, the stock answers, the ones that kind of make sense: I’d pay off my mortgage and maybe all my family’s mortgages. I’d quit my job. I’d travel the world. I’d never have to shovel snow/mow the lawn/clean the bathroom again – unless I really wanted to. I would buy a new [fill in the blank]. And then I would ridiculously wonder to myself if a million or ten million or fifty million dollars would really be enough, you know, to do it ALL.

The brilliance of the question is that if you’re really honest with yourself, you can figure out a lot about what you really want – right now – without the lottery. If telling your boss “I QUIT” is your first impulse, then maybe that job isn’t serving you so well anymore and you need to find a new job or a new attitude. If travelling is first on the docket, then maybe you need to figure out how to get to Mexico or Moose Jaw more often. Me, I would buy up all the tired little houses and fix ’em up and sell them without worrying about making a profit. Maybe even give them away. Not practical, probably, but it would be kind of fun, right?

There’s also the darker question, the one we might not think of right away: what kind of lottery are we talking about? A Shirley Jackson lottery? You remember her eerie story that you read in high school, the one that pinged in your brain when you watched the movie The Hunger Games – where A PERSON is selected by lottery? And not for anything good. No thanks, I don’t want to win that one.

In Neil Pasricha’s book The Happiness Equation, he admonishes his audience to REMEMBER THE LOTTERY whenever we start thinking ridiculous things like “my life sucks” or “there’s never enough”. Our human brains have a propensity to look for problems, so such pessimistic thinking is actually natural. It’s a bit of a survival mechanism. It’s what spurs us to keep buying lottery tickets in the first place. But we can also remind our brains: Hey, remember? You’re alive, you’re here. And that means you’ve already won. You’ve survived this far.

Remember the lottery. Being alive means you’ve already won.

About Coloring

It used to be that around Easter, every grocery store would sponsor something called a Coloring Contest. A parent could pick up a photocopied coloring page of an Easter bunny or a decorated egg or – jackpot! – both (see above) and take it home for their child so they could enter the realm of arbitrary competition by coloring the picture and then dropping off the completed masterpiece back at the grocery store. Odds of winning substantially increased if your parent dropped it off at the same store. You could check for yourself if you went before the specified holiday and found yours among the multitude of identical holiday icons, taped into place like another brick in the wall.

The week after Easter you would find out who won the contest when you read the Vermilion Standard where we went for all the latest tweets before the advent of smart phones. I never knew how first prize (a bike), second prize (a ham) and third prize (an Eastalta Co-op-logo-emblazed t-shirt that would never be worn, ever, except maybe to paint the barn) were awarded. I assumed, at the tender age when coloring pictures was a passion, that it was because of serious coloring skills. Alas, I realize now that after Easter, someone probably crunched every last page into a ball, threw them into a bingo barrel and picked out three AT RANDOM.

Or maybe (more likely) someone from the store chose their three favorites, perhaps because The Winning Color-er used a particularly lovely shade of yellow for the Easter chick. Or because they painted their bunny rabbit the sanctioned brown or white, the usual bunny colors. (But not purple or blue or black. You probably couldn’t win with a black Easter bunny. Not when I was a kid.)

I harbour particularly bad feelings about a particular substitute teacher when I was in grade five surrounding a memory about coloring pictures of Easter bunnies. I probably thought it was pretty lame that IN GRADE FIVE we were given pictures to color for “art class”, but I this was also back when I was in Obedient Student mode. If you gave me an school assignment, I was on it. (Well, except for maybe gym class.) So, I colored my Easter bunny some very lovely shades of violet and mauve, thinking I could at least go the avant garde route.

I probably still hadn’t recovered from The Yellow Submarine Fiasco of Grade One when I discovered my picture pinned up on the back bulletin board with a mark (a mark!!) of 55% on it – for everyone to see and to compare. Oh, and I compared! My coloring was impeccable! I had added tufts of grass around the bunny’s feet! I used gold-leaf to embellish the Easter egg! This was a travesty! Meanwhile, my academic rival, who happened to be this teacher’s neighbor and favorite, colored his rabbit plain old Laurentian number 10 brown and got 95%.

The angst is not unlike that of this comedian – skip ahead to time 2:47 when his father derides him for coloring a monkey purple. (Purple is obviously the choice of us “artistic people”.)

I suppose that it’s these kind of childhood events that “build character”. For sure, they build grudges memories. But even more, I like to think that this was when I started to call out the status quo, to contest the idea that “teacher knows best” if only in my mind. What’s wrong with a purple cartoon bunny anyway? Where’s the creativity in everyone’s picture looking exactly the same?

I’m a big fan of creativity. And sometimes that looks like standing out and looking different from everyone else. And it’s definitely not something that should be marked and compared. Just sayin.

About Plagiarism

Me: circa 1973.

I am a plagiarist from way back.

When I was in grade one, my teacher (Mrs. W.) gave our class a writing project – an exciting culmination to the whole “learning to read” thing. She showed us how to fold a few regular papers in half and staple them at the folded edge to create a booklet, upon which we could immortalize our words and illustrations.

Unfortunately, I don’t have it anymore. So much for immortality.

But it is my first remembered effort at publication. And I do recall – rather clearly – both the text and my drawings, probably because of the traumatic circumstances that surrounded my budding authorship. Namely, when my minimus opus had made the round-trip journey from my desk to the teacher’s and back again, I discovered that it had been marred with the frightening letter “C”. It was my first rejection letter as a writer.

Why, you ask, did my teacher NOT LIKE my story? (Imagine me as a miniature person, with short crooked bangs and spindly arms, feigning a thrust of a dagger to the heart. Actually, see the picture above, taken sometime before Mrs. W. crushed me.)

What had I written, you ask? Let’s see, it went something like this: We all live in a yellow submarine… Yeah, that was the start of it anyways, with accompanying pictures of stick people looking out of the portholes of a yellow spaceship-y thing. It went on like this for a riveting eight to ten pages.

Okaaaaay, so technically I stole the idea from the Beatles. At least I can’t be blamed for my taste, even though I did gravitate at that age to the Ringo songs. Maybe I wasn’t reaching as high as I could have. It doesn’t really matter because I was just borrowing a tried-and-true line so that I could learn how to write a story. Also, I must have missed that day in grade one that we learned about copyright law.

Needless to say, this memory bothered me for a long time – not (necessarily) because of the “C” but because I felt I had done something really wrong. That is, until I discovered Austin Kleon, one of my favorite creative people. No one vindicates the fledgling (and also the mature) artist better than he does. I’ve written about him before. Steal Like An Artist is now ten years old and his blog is way older. Both are an homage to how artists learn by stealing.

This is, after all, where all artists begin – by copying. Picasso didn’t always paint those crazy limp-necked, weird-eyed bird people: he only did that stuff after he drew a whole bunch of (recognizable) bowls of fruit. And even the Beatles – who I first riffed off – started out as a cover band. It’s only after you imitate the giants who came before you enough times are you able to jump off their shoulders and start doing your own thing. And sometimes, just writing down someone else’s lyrics so you can memorize them or filling out a paint-by-number is good enough to satisfy the creative urge within us. That doesn’t make it any less of a creative endeavor and it always delivers that positive, constructive feeling of putting your own hand to something.

Check out Steal Like An Artist in a special 10th anniversary edition! It’s an eminently readable book – with pictures! – and plenty of encouragement for all.